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Why A New York Times Bestseller Isn’t Enough: The Right Story Is The Best Story

If you want to be a true story teller, you must always follow the right rules and keep your story interesting, right? Well, this article proves that even the best stories have their own set of limitations that have to be considered in order to tell a compelling story.

When you take away the fiction (or non-fiction), the truth has always been the same, right? This is what the first half of my book The Storyteller’s Guide To Storytelling says and if you are not convinced by it now, I’ll tell you all about it, including my 10 rules to ensure that your story has never been told before.

Here they are: 1) You cannot have an epiphanic experience while writing your story. Even in the real world, epiphanic experiences are rare. Epiphanic experiences happen when a particular incident was witnessed to occur; this can happen when you observe a lightning storm or the eclipse of a full moon.

The first time you read that sentence, is the first time you have ever heard that word. The epiphany occurs when you are faced with a specific situation that you never imagined or imagined would appear to you and your brain makes connections and conclusions that it hadn’t made before. This is what the first half of my book calls for, and is a universal law of thought.

2) You must tell your story from the point of view of the main character. It is important that you tell the story from the perspective of your main character because it helps you to see things from their perspective; that is why stories are most compelling when they focus on the character.

If you are starting your story from the point of view of someone other than the main (or only) character, that person is not able to empathize with your main character, they aren’t able to empathize with the events and the way they happened to him or her or them, they aren’t able to think about the consequences and consequences of these events in a personal way. Now, this can create some conflict and some drama but that is why stories are the best. But here is the problem: when you start with the mindset of your main character and you start doing the opposite of what your main character is thinking, this is actually making things harder for you and making you a lot harder to understand by your audience. You are thinking from an outside point of view, and that is a huge challenge and also requires a lot of skill to perform well in a script because you are writing from an outsider point of view. This is why scripts can turn a story around completely in a heartbeat.

3) If you tell your story from the point of view of a third person, you are going to create tension and suspense, and at the same time, the audience is going to be invested in these events because of the way they will hear what they want to hear from their favorite character. For example, when we watch movies and read books, usually they are all told in the third person, not including the characters who narrate them.

The problem with this is that the audience loses track of the characters. They start to see the third party as more important than the other characters in the room; that person is often seen as “in” and therefore they want to know everything about that person. This also can make the characters seem uninteresting because they are seen as separate entities from each other and from their own point of view.

The reason why the main character is the person who always knows his or her own character is that main characters must be the only ones in the room. There must be no room for anyone to be second-guessing, second-guysing, second-straining or second-scracking a story.